Meta-Fiction
Meta-fiction was the subject of a recent tutorial at our
writers’ group.
As our tutor, Helen, explained,
meta-fiction “poses questions about the relationship between fiction and
reality” combining elements such as irony, self-reflection, intertextuality and
parody in order to “draw attention to a work’s status as an artefact.”
I had not realised, until this had been explained to me,
that I enjoy the use of meta-fictive elements in my writing. I just thought I
had a strange sense of humour.
In our writing exercises Helen suggested we experiment with
characters who become aware that they are in a story, attend a poetry reading or
participate in an argument making reference to a previous story they were in.
Over the next few days the idea of a conversation between
Lewis Carroll’s Walrus and Carpenter began to take shape. They find themselves
attending a recitation of “their” poem by Salman Rushdie. This prompts a
discussion on the nature of their existence. The result is "I am The Walrus" which is a newly posted short story.
Carroll, whose real name was
Charles Lutwidge Dodgson, was a lecturer in mathematics at Oxford and an
Anglican Deacon. He published works on mathematical logic and I imagine that he
was more than passingly familiar with the work of the 17th century
mathematician and philosopher Rene Descartes.
Descartes contemplation of the nature of reality and the
difficulty of distinguishing between being asleep and being awake must, surely,
have influenced Carroll’s construction of Alice’s dreamlike Wonderland.
The work of Salman Rushdie is well known, amongst other
things, for its meta-fictive elements. Rushdie is a self-confessed admirer of
Lewis Carroll and you can hear his recitation of “The Walrus and The Carpenter”
here https://www.youtube.com/watch?v=qdtADw9a6H8
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